Stage Embodiment of a Prose Work: Staging and Interpretation

Authors

  • Saparov Rinat Kuralbayevich A student of the Uzbekistan State Institute of Arts and Culture Nukus branch

DOI:

https://doi.org/10.51699/ijbea.v2i8.2358

Keywords:

Stage embodiment, Prose work, Staging, Interpretation, Adaptation, Theater, Literature

Abstract

Stage embodiment refers to the process of bringing a prose work to life through theatrical interpretation and staging. This article explores the complexities and challenges involved in adapting prose literature for the stage. It delves into the significance of stage embodiment as a means of breathing new life into literary texts and fostering a deeper understanding of the original narrative. Drawing upon examples from various literary works and stage productions, this paper highlights the artistic decisions and interpretations that contribute to the success of stage embodiment.

References

Stanislavski, C. (1936). An Actor Prepares. Routledge.

Esslin, M. (1987). The Field of Drama: How the Signs of Drama Create Meaning on Stage and Screen. Methuen Drama.

McConachie, B. (2008). Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. Palgrave Macmillan.

Gillette, J. M., & Bova, A. (2008). The Playwright's Process: Learning the Craft from Today's Leading Dramatists. Back Stage Books.

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Published

2023-08-09

How to Cite

Saparov Rinat Kuralbayevich. (2023). Stage Embodiment of a Prose Work: Staging and Interpretation. International Journal of Biological Engineering and Agriculture, 2(8), 10–12. https://doi.org/10.51699/ijbea.v2i8.2358

Issue

Section

Articles