TYPOLOGY OF MENTALITY IN THE IMAGE OF A WOMAN
DOI:
https://doi.org/10.51699/ijllal.v2i11.2861Keywords:
plot, compositional construction, psyche, psychologism, typology, paradigmatic relations, portrait, gesture, mimicry, khilvat, pamphletAbstract
This article describes the uniqueness, closeness and differences in the depiction of the ideal of a woman in the novels and stories of Guy de Maupassant and Abdulla Qahhor, prominent writers of French and Uzbek literature. In particular, both creators often pay attention to the deep analysis of the inner world and psyche of the characters in order to ensure the educated output of their works. They explore their spiritual world.
Proving their methodological closeness in interpreting and depicting the image of a woman makes it possible to define the paradigmatic relations formed under literary influence. The image of a woman in the literature of all nations bases its poetic interpretation in accordance with the national outlook, region, and culture. As a result, it is proved that the image of a woman is one of the traditional images in literature, and the poetics of her description is developing.
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